Paper title: |
POÉTICA DA VISÃO IMAGINAL: AS PAISAGENS DO OLHAR |
Authors: |
Murad, Carlos Alberto; Claudia Veloso, Aline Andrade |
Summary: |
This paper is based on the phenomenological approach of the imagination and poetic image of the philosopher Gaston Bachelard (1957, 1960), through a discussion of the role played by imaginary impulse in the comprehension and representation of urban nature. Our aim is to explore the epistemological potential of a poetic interpretation of eye-driven landscapes by an ontology of sight. We will do so by exploring two topopoetics themes given by Bachelard`s phenomenology, such as a blue sky deepness e o movement of intimate immensity, from which Win Wenders`s cinematic urban spaces will be analyzed. We believe the poetic contemplation of film framing would be a way from where the city and its eye-driven landscapes would meet their full human destiny. [Full paper in Portuguese] |
Type: |
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Year of publication: |
2005 |
Series: |
CUMINCADes:SIGRADI |
Download paper: |
/pdfs/sigradi2005_575.content.pdf |
Citation: |
Murad, Carlos Alberto; Claudia Veloso, Aline Andrade (2005).
POÉTICA DA VISÃO IMAGINAL: AS PAISAGENS DO OLHAR. SIGraDi 2005 - [Proceedings of the 9th Iberoamerican Congress of Digital Graphics] Lima - Peru 21-24 november 2005, vol. 2, pp. 575-579,
http://itc.scix.net/paper/sigradi2005_575
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